The photographer submitted the image of the guardian statue for consideration for the cover and was pleased that the lesser known relic was chosen over the more recognizable gold mask. The one featured on the cover has remained there ever since it arrived. The guardian statues haven’t left the Cairo Museum together, Vannini says. “Taking a photo means nothing if others don’t see it.” What’s featured on the cover? “Each photo is a piece of my work but also is a moment of my life,” he says. Vannini hopes readers will feel the emotion that went into capturing these images. “Each time we change the light in photography, we are not changing the light on a material.” “In postproduction, we can change highlights and lowlights,” he says. Then he adjusted for the light reflections from those priceless objects in his postproduction edits. So Vannini created a small, makeshift studio by draping a transparent cloth around the perimeter of the statue, giving the effect of a white room. Its large windows reflected light off the multicolored semiprecious stones and gold metal objects that filled the room. Photographing the tomb presented a new challenge, because he wouldn’t have much control over the lighting inside the GEM. He was drawn to this particular project for those reasons. He aims to shoot antiquities in a way that evokes emotion and preserves their historical significance. Vannini began his work in Egypt during the rise of digital photography.
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